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HomeMusicGroundbreaking storage rock compilation 'Nuggets' turns 50 : NPR

Groundbreaking storage rock compilation ‘Nuggets’ turns 50 : NPR


50 years in the past – Elektra Information requested one among its expertise scouts, guitarist Lenny Kaye, to create a double compilation album. That album “Nuggets” laid the groundwork for punk.



AYESHA RASCOE, HOST:

It is October 1972. You are in a report retailer as a result of that is the way you selected your personal music again then, and also you’re looking the most recent stuff. Stevie Surprise and Elton John and Carole King all have new albums out – and Miles Davis and Al Inexperienced and Dolly Parton. That was a great yr. However perhaps you are feeling edgy.

(SOUNDBITE OF THE ELECTRIC PRUNES SONG, “I HAD TOO MUCH TO DREAM (LAST NIGHT)”)

RASCOE: Lenny Kaye to the rescue – Kaye was a report retailer clerk in New York Metropolis’s West Village, a rock author and a scout for Elektra Information. He had been with the label for a number of months in 1972 when Jac Holzman, the boss, known as him into his workplace with a proposition.

LENNY KAYE: Would you assemble an inventory of songs for me?

RASCOE: So Kaye created an inventory of about 60 psychedelic rock tracks he cherished from off the crushed path. Holzman known as them nuggets.

KAYE: Which might be these type of songs that have been quickly vanishing underneath the radar or an album monitor that had been ignored.

RASCOE: And the outcome was one of the vital influential compilation albums of all time. It was known as “Nuggets: Unique Artyfacts” – that is arty, with a Y – “From The First Psychedelic Period.” Its cowl was an explosion of colour applicable for the tracks on the vinyl inside, created by musicians who have been generally simply teenagers of their mother and father’ garages.

(SOUNDBITE OF NAZZ SONG, “OPEN MY EYES”)

RASCOE: That is “Open My Eyes” by Nazz. It did not chart when it was launched, 4 years earlier than it landed on “Nuggets.” Todd Rundgren was 19 when he recorded it.

(SOUNDBITE OF SONG, “OPEN MY EYES”)

NAZZ: (Singing) Beneath your gaze I used to be discovered within the haze I am wandering round in.

RASCOE: Lenny Kaye wished to highlight music like this and likewise to spotlight the totally different sounds being created in several components of the nation.

KAYE: These native scenes coalesce and have their very own character. Los Angeles definitely had a better stage of technical high quality. Bands out of the San Francisco space have been beginning to partake of psychedelics. You realize, there have been teen scenes all through the Midwest.

(SOUNDBITE OF SONG, “OH YEAH”)

THE SHADOWS OF KNIGHT: (Singing) Whoa, yeah. The whole lot going to be all proper this morning.

RASCOE: This one is “Oh Yeah” by The Shadows Of Knight out of Chicago.

KAYE: It was a second. And I’ve to say, it was my second as a result of I used to be in a band in New Jersey within the mid-’60s known as The Zoo the place you felt a gap of definition. And that to me is probably the most attention-grabbing factor of music’s evolution, when hastily, you already know, you do not know what’s occurring. And so all people is taking possibilities. “Nuggets,” actually – it is everywhere. You’ve gotten the orchestral rock of Sagittarius. You’ve gotten the type of proto-punkiness of The Seeds.

(SOUNDBITE OF SONG, “PUSHIN’ TOO HARD”)

THE SEEDS: (Singing) You are pushing too exhausting – pushing on me. You are pushing too exhausting – what you need me to be.

RASCOE: “Nuggets” was created from what was on the time rock’s latest previous. It additionally anticipated the long run. These storage rock sounds influenced the punk scene, one thing Lenny Kaye witnessed firsthand when he performed alongside Patti Smith. Kaye all the time meant to make a follow-up. It is lastly popping out subsequent yr. However he stresses that what he did and continues to do for psychedelic proto-punk rock is one thing you are able to do for the music you like and assume others ought to love as nicely.

KAYE: That is what “Nuggets” is about – to maintain data alive on this world. And perhaps who is aware of who’s going to hear to 1 and be impressed to hold on the custom – to develop into that individual that they admire after which develop into themselves.

(SOUNDBITE OF SONG, “YOU’RE GONNA MISS ME”)

THE 13TH FLOOR ELEVATORS: (Singing) Oh, yeah.

RASCOE: So begin fascinated about that playlist. Possibly we’ll be speaking about it 50 years from now.

(SOUNDBITE OF SONG, “YOU’RE GONNA MISS ME”)

THE 13TH FLOOR ELEVATORS: (Singing) You are going to get up one morning because the solar greets the daybreak. You are going to get up one morning…

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