The final day on the Inferno Metallic Competition 2019 had a superb number of music types. Prog metallic from Opeth, black metallic with a lot of pyro from 1349, symphonic black metallic from Carach Angren, epic black metallic from Cult of Fireplace and blackened loss of life metallic from Archgoat. (Photograph above: Ravn from 1349)
The slight competition fatigue I noticed at Inferno on Saturday had undoubtedly struck lots of the followers on Sunday. 4 days festivals are laborious on most of us, and lots of from the Inferno crowd had began celebrating a day earlier, assembly associates and having a pre-party. However that’s how it’s and must be. Inferno is simply every year, and for a lot of, that is the one time after they meet a lot of their associates.
The consequence of this was that the venue wasn’t as packed as the primary two days, apart from the 2 final bands, 1349 and Opeth. For 1349 the barricades in entrance of the stage had been moved again somewhat bit due to all of the flames and pyro, and this truly reduces the capability of the venuee some. However regardless of a barely decrease over all attendance, the keenness was simply nearly as good as the opposite days.
That’s one factor I do like in regards to the metallic followers. They’re by no means detached to the bands, both they love them or they hate them. And they’re often extremely educated of their band’s careers, the songs, which albums to desire, and so forth. That is an angle I miss at many different festivals with totally different music types, the place this 12 months’s taste typically decides what’s fashionable or not. So, thanks Inferno for one more profitable competition with many nice bands and better of all, many pleasant and good natured followers from everywhere in the world.
Cult of Fireplace
Ravn from 1349
All photographs are © Per Ole Hagen and should not be used with out written permission.