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HomeNightlifeIssues to Do in Miami: Brigid Baker Wholeproject "Abracadabra" November 10-13, 2022

Issues to Do in Miami: Brigid Baker Wholeproject “Abracadabra” November 10-13, 2022

A loud, moist greeting from pitbull chihuahua, Finny, ushers me into the Little Havana studio of choreographer Brigid Baker, inventive director of Brigid Baker Wholeproject. Firm dancers Amy Trieger, Meredith Barton, and Isaiah Gonzalez heat up within the middle of the ground for the afternoon rehearsal of the corporate’s newest work, Abracadabra.

Stage props from earlier installments of the four-part “Return of the Hen Tribes” sequence body the observe flooring. On one facet is the cardboard tree from the 2022 program, Numinous Land, and in opposition to the wall, the nice golden crown from the 2021 pandemic work, Crown.

For Baker, the RBT sequence started with the October 2019 program, Stay in Gentle. She says that this system shifted her inventive energies.

“All of it goes again to Stay in Gentle, whose theme was the ocean, however at that time, the course had not likely emerged,” says Baker.

“[These four works] are all about pure power and about what comes from the bodily world,” she explains. “Crown laid down the geometry of those new potentialities for the brand new starting we had been making, then we undergo the completely different bodily representations on earth. First was Operation Birdsong, the place we needed to attend to the issues of the air, after which there was Numinous Land, the place we had been attending to issues of the earth.”

Baker sees her present challenge, Abracadabra, persevering with that trajectory. For Baker, this newest program — premiering Thursday, November 10 by Sunday, November 13 at Miami-Dade County Auditorium’s On.Stage Black Field Theatre — investigates the power behind issues.

“The stage might be all gold with out embellishment. The concept is to specific a vibration,” says Baker. “We’re turning into conscious of the emergence of energetic values which can be turning into manifest.”

Baker, sporting a loose-fitting shirt and sweater, engages within the interview as she pins in place a golden collar on Barton.

Abracadabra opens with certainly one of my hack motion pictures with folks making gold orbs,” says Baker, referring to her crowd-sourced movies spliced collectively from YouTube motion pictures. “After which it transitions to girls from the ’50s making globes after which spiders going ‘spherical and ‘spherical making webs.”

Musician and composer Brian Eno’s subdued 2005 composition “After which so clear” accompanies Baker’s visuals. The piece begins quietly with chords, then an digital voice breaks in, “In these the world to open/a lot to lose to save lots of.”

The three dancers transfer to the middle of the ground, sporting full-body tights and gold collars. Behind them, a tall draped golden determine casts golden shadows on the black studio flooring because the dancers middle themselves and Baker cues up the music.

The centerpiece of Abracadabra is a 24-minute dance piece of the identical title set to Eno’s just-released work, “We Let It In.”

The dancers start, and their actions are hanging, patterns remodeling unexpectedly. In a single sequence, Trieger stretches again after which steps to Gonzalez’s facet earlier than pivoting to face him in a lunge as they each hop ahead. Gonzalez helps her in a fast raise in arabesque earlier than they run the size of the ground. To their proper, Barton snaps again in arabesque, hops ahead twice, then spins.

The choreography shifts quickly from the flamboyant to the introspective. In a single sequence, dancers leap into the air, arms totally prolonged, legs snapping out at proper angles. In one other, dancers waltz as a trio earlier than shrinking right into a sculpture-like twist on the middle.

All through the choreography, the three dancers exhibit astonishing unity of method.

This system additionally features a attractive set of visuals with a movie by Justin Trieger, New World Symphony’s multimedia producer and husband of dancer Amy Trieger, which might be projected on the display screen throughout the primary dance quantity.

The movie begins with black and white, digitally produced orbs that float like stars in house after the Large Bang. With a sudden crash, the scene shatters with motion and the colour spectrum shifts to shades of gold.

Close to the top of the dance quantity, three dancers kind a diagonal, toes in first place, arms at their sides gently curved, gaze intent.

They elevate a hand to their shoulders after which prolong it out in entrance because the music closes.

After I ask how the dancers exhibit such unity of method, Baker replies: “It comes from coaching in a holistic means — discover that there isn’t a one even heavy respiratory,” which is true. “This comes from coaching in a sure means,” says Baker referring to her dance method, which she calls Lightbody.

“[The technique] sophisticates the nervous system, and the coaching aligns the respiratory with the pure pulse of the nervous system,” she provides.

Every of the dancers has carried out with Wholeproject for a number of seasons. Gonzalez joined the corporate in 2019, and Barton in 2014.

For Amy Trieger — who joined the corporate in 2005 — Abracadabra might be her twentieth program danced with the corporate.

When requested what she hopes the viewers will take away from this system, she says, “There are issues about the best way that we work that folks do not perceive as a result of we’re so calm or what seems to be calm. They do not know all of the again work that goes into it. I need them to take a seat there and be there with us as a result of that might open their hearts. Then after that, I might love to take a seat there and have a dialog and discuss how we obtained there.”

– Sean Erwin, ArtburstMiami.com

Brigid Baker Wholeproject Abracadabra. 8 p.m., Thursday, November 10, by Sunday, November 13, at Miami Dade County Auditorium, 2901 W. Flagler St., Miami; 305-547-5414; miamidadecountyauditorium.org. Tickets value $22 by way of ticketmaster.com.



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