For his remaining present as departing Creative Director of Off-Broadway’s Basic Stage Firm, John Doyle has directed a condensed one-act revival of the acclaimed 2002 musical A Man of No Significance by Terrence McNally (ebook), Stephen Flaherty (music) and Lynn Ahrens (lyrics), based mostly on the 1994 movie of the identical identify, written by Barry Devlin. It’s a becoming theme and an optimistic message to go away us with, a few man’s ardour for the theater, and the significance of artwork, friendship, and love, connection and acceptance.
Set in Dublin in 1964, it tells the story of the closeted bus conductor Alfie Byrne, an aficionado of Oscar Wilde who reads poems to his passengers, runs an novice theater group referred to as The St. Imelda’s Gamers, and is set to stage a model of Salome on the church corridor, regardless of objections to it for being “conceited.” Although he struggles with the rampant restrictions and bigotry of his period, and fears embracing a love “that dare not converse its identify,” he finds solace in artwork, two empathetic members of the group who even have secrets and techniques for which they don’t wish to be judged, and a group that appreciates him for the nice man that he’s and is set to forge forward with the present by shifting it to a extra accepting parish.
Doyle, who additionally designed the sparse set, creates simply the proper environment to evoke a low-budget novice troupe, utilizing wood folding chairs and a desk on a thrust stage to signify, in several configurations, the bus, Alfie’s house, a pub, and the church’s efficiency house, with a curtain and a statue of the Virgin Mary overseeing the motion on the far finish (with apropos modifications in lighting by Adam Honoré). A number of members of the forged play musical devices on stage (along with the four-person orchestra on the balcony above, carried out by Caleb Hoyer), facilitating the intelligent use of a tambourine doubling as a dinner plate and a hand drum because the bus’s steering wheel (with Alexander Wylie serving as props supervisor).
Costumes by Ann Hould-Ward seize the interval fashion and occupations of the Irish characters in muted colours and pure materials, and the rating, with orchestrations by Bruce Coughlin and music route by Hoyer, has an genuine Irish sound and lilt. Sadly, the identical can’t be stated of the actors’ uneven accents, most notably that of Jim Parsons, who stars as Alfie, in an enervated efficiency that briefly involves life when he defends Salome to the church authorities, adamantly proclaiming from the highest of the facet aisle (with clear sound by Solar Hee Kil, which permits Doyle’s blocking all through the home), that “It’s not conceited, it’s ART.”
Standouts within the forged, as each highly effective singers and interesting actors with impeccable accents, are A.J. Shively as Robbie Fay, the good-looking younger bus driver for whom Alfie holds an attraction and invitations to participate within the present, and Shereen Ahmed as Adele Rice, a wonderful and delicate newcomer on the bus, whom he convinces to play the lead position of Salome. Shively is likeable, loving, and type, and brings down the home with the full of life showstopper “The Streets of Dublin.” Ahmed is comfortable and poignant and brings her crystalline soprano to the bittersweet ballad “Princess.” Neither of them is what Alfie thinks they’re, and as soon as the reality comes out about all of them, each are empathetic and stand by him and who he’s, with out judgment.
Mare Winningham brings moments of conflicted emotion to her position as Alfie’s crucial sister Lily, a spinster who continues to dwell with him and to delay her personal marriage till he finds a spouse, unaware of the explanation he hasn’t, then deprecating when she is. Nathaniel Stampley as Father Kenny and Thom Sesma as Mr. Carney, a butcher who dates Lily, performs with the theater troupe, and leads the church Sodality, are Alfie’s foremost antagonists, who shut down the efficiency of Salome (even supposing the topic is derived from the Biblical narrative of John the Baptist). And Da’Von T. Moody as Breton Beret exposes him in a deceitful and violent act (struggle and intimacy route by Judi Lewis Ockler) that forces the members of the Gamers (Alma Cuervo, Kara Mikula, Mary Beth Peil, Jessica Tyler Wright, Joel Waggoner, and William Youmans) to decide on what they are going to assist: the strictures of the church and the homophobia of their metropolis, or their devotion to the theater and its most devoted proponent, who unites them by means of the love and energy of artwork.
Whereas the message is finally uplifting, the ensemble’s Celtic-inspired songs are entertaining, and the performances of Shively and Ahmed are totally compelling, the widely understated temper of the manufacturing detracts from the inherent emotion of the story and its driving ardour for the theater.
Operating Time: Roughly one hour and 45 minutes, with out intermission.
A Man of No Significance performs by means of Sunday, December 18, 2022, at Basic Stage Firm, 136 West 13th Avenue, NYC. For tickets (beginning at $87, plus charges), go on-line. Everybody should put on a masks contained in the theater.