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HomeMusicYungmorpheus, Marlowe, Dee Watkins and extra : NPR

Yungmorpheus, Marlowe, Dee Watkins and extra : NPR

L.A. rapper Yungmorpheus releases two new songs, “Determine-4 Leg Lock” and “Sonny’s Triangle.”

Enkrypt Los Angeles

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Enkrypt Los Angeles

L.A. rapper Yungmorpheus releases two new songs, “Determine-4 Leg Lock” and “Sonny’s Triangle.”

Enkrypt Los Angeles

The Warmth Verify playlist is your supply for brand spanking new music from across the worlds of hip-hop and R&B with an emphasis on effervescent, undiscovered and under-the-radar acts. Who’s bought the recent hand? Who’s on a run? It is a menagerie of notable songs curated by fans from round NPR Music.

On this week’s Warmth Verify selects, an insular rapper reestablishes the phrases of his savvy music, a hotshot will get a lesson from his OG and a singer-songwriter neutralizes a supply of her melancholy. Elsewhere, there’s melodic rap from NYC, throwback R&B from a small city in Virginia, old-school revivalism from North Carolina and extra. Stream the playlist on Spotify. Verify in.

“Determine-4 Leg Lock”https://www.npr.org/”Sonny’s Triangle”

There’s a temptation to name the work of the Los Angeles rapper Yungmorpheus low stakes however actually it is simply insular. In his songs, he’s deeply attentive to the world he occupies, even when that world can typically really feel the dimensions of a small neighborhood. Two soft-chugging, hookless singles he not too long ago launched reveal the charms of that with the type of shrugging understanding bred by familiarity. “I do know the distinction between the actual and what I deem efficiency / Cautious the place you place your shut ties, you is perhaps bleeding for them,” he raps on “Sonny’s Triangle.” You’ll be able to virtually really feel the tales buried beneath that cynicism. However past the sense of savvy revealed in his music is an informal cool; his rapping shows a really specific type of unpretentious mastery. “These honkies hate me ‘trigger a n**** braggadocios / I’d twist an eighth simply to place me again in movement … Cash the motive, I’d’ve did it for some tokens / Pigs in all probability clap a brother only for a promotion,” he raps on “Determine-4 Leg Lock.” The pure fluidity of his bars appears to imitate his swaggering, which he will not enable petty disturbances to interrupt. That is in all probability why he prefers to maintain to himself. — Sheldon Pearce

Jay Prince, “Black & Gold”

The East London rapper Jay Prince was amongst a technology of U.Okay. acts that helped push past grime within the mid-2010s. His music has all the time had a sunnier disposition and a extra buoyant sound, befitting his early affiliation with the Soulection imprint and collaborations with the colourful Oregon merrymaker Aminé, L.A. singers Arima Ederra and Joyce Wrice and Mercury Prize nominee Kojey Radical. Now a L.A. transplant, it looks like Prince has discovered his dwelling, sonically. His new single, “Black & Gold” has the refined, soulful bounce adopted by SoCal rappers like Buddy. The hushed knock of the manufacturing, with its luminescent keyboard accents, fits his piercing voice and his tumbling flows. He reveals better restraint right here; the storytelling is tighter and his efficiency is extra exact. “All they care about is numbers within the cloud / Gotta have a bass and it is gotta have a bounce,” he explains. If he cannot fulfill the primary demand, he’s definitely delivering on the second. — Sheldon Pearce


CL!F, “Misplaced”

The singer-songwriter and multi-instrumentalist CL!F’s track “Misplaced” is a pensive ballad that explores the numerous contradictions of romantic love and emotional toxicity. Produced by Los-Angeles-based Angelo Leroi, the soulful, percussive beat, common out of guitar, bass and kick-drum hits, is offset with lush, heat vocal harmonies. In an Andre 3000-esque verse that looks like stream of consciousness, the Louisa, Va.-based artist’s pen will get the chance to shine: “You make me imagine that magic is tragic from loving you / Emotions of insanity so large from loving you / Possibly I am being dramatic however that is simply what lovers do / I notice that habits simply occur like loving you.” If this single from the crooner’s upcoming debut album, CL!Ftape Vol. 1: Virginia is For Lovers, is any indication, the remainder of the album probably channels “actual” R&B and stirs up these feels. — Ashley Pointer


Kaash Paige, “Doubted Me”

The Dallas singer Kaash Paige clearly descends from Auto-Tuned Texans Don Toliver and Travis Scott, solely she brings rap-like cadences to R&B songcraft. It’s a totally different type of osmosis, one which requires precise singing. Her 2020 debut, “Teenage Fever,” appeared to dwell in the identical psychedelic sonic realm as Astroworld, however Paige is just not restricted by her voice and might stretch her songs in additional imaginative instructions. Her new track, “Doubted Me,” has the entire traits of a flexing rap track — doubters and Penthouses and diamonds and dangerous b***** — with a “Began from the Backside”-esque narrative arc, however the candy melodies might lull a listener into considering in any other case. Her biggest talent is softening rap cadences, which she makes use of to nice impact right here, giving her showboating a very gentle contact. — Sheldon Pearce


Rell Briscoe, “Lonely”

Rappers like A Boogie wit da Hoodie and Lil Tjay helped deliver the now dominant pressure of melodic rap to New York Metropolis and an artist like Rell Briscoe feels consultant of their efforts. The Bronx rapper, a tune-first author, has actually come on recently, with a mellow new venture referred to as Going to Area, however his most spectacular exhibiting remains to be “Lonely,” a freewheeling little track about protecting a gun shut at hand. The refrain is nearly pleasantly droning, as Briscoe hovers simply above a facsimile of the manufacturing made standard by crooners like Polo G. It looks like an overstatement to name the lyrics on the middle of “Lonely” a “verse,” they usually aren’t doing a lot narratively, however he makes use of them to play with tempo and melody — messing with double-time flows and inverting the hook’s tune. It’s in that area that he reveals essentially the most promise, as a possible earworm generator. — Sheldon Pearce


KéJa, “Cuttin Unfastened”

The Baltimore-based singer-songwriter KéJa not too long ago launched her debut EP, Issues Fall Aside, which lingers in emotions of aimlessness amid a deepening melancholy. On the memorable observe “Cuttin Unfastened,” she finds and eliminates one supply of her anxiousness: her noncommittal boyfriend. “Speaking to a brick wall ’bout my coronary heart / Is the drained reality / If he cared he’d present me / Should not have to tug it up out of you,” she sings. KéJa cites Brandy amongst her influences, and the track channels the wealthy grooves of Brandy’s self-titled debut with plinked guitar and booming bass. Even her full-toned voice appears to be calling for the connection because it flits between sonorous and feathery tones, including taste and character to a heart-rending, fed-up efficiency. — Sheldon Pearce

Marlowe, “President the Rock”

L’Orange can mud any previous pattern off its shelf to assemble a recent, nostalgic beat. On “President the Rock,” the producer cements a legacy as a reclamationist, whereas Solemn Brigham proves that his move can match the depth. The track is off the third self-titled album from the North Carolina-bred duo’s collaborative venture Marlowe. It’s a good marriage of looped, old-school instrumentals and unfettered enthusiasm. “Now whеre your enterprise at? / Thoughts that and thoughts the brothеrs that be within the again / All they really need is that respect which you could’t get with rap,” Brigham warns, taking off along with his bars like he is afraid to get caught. It is a high-energy track that challenges the previous guard, by taking the normal and respiratory recent life into it. — Teresa Xie


Dee Watkins, “Gleecin” (ft. Icewear Vezzo)

There’s a madcap power to the most effective Dee Watkins songs. The Florida rapper can come off as a fun-loving troublemaker and there’s a mischievousness in his supply. 2019’s “Hell Raiser” established him as an impish form of menace, and his threats and putdowns usually really feel like pranks performed for his amusement. “Gleecin” is barely extra aggressive in tone, in an effort to ascertain him as a critical participant. Right here, he is not sporting; he wants rivals to know he is higher than them. The grim TAPEKID and WoodleyOnThaBeat manufacturing strobes like a foghorn signaling incoming hazard, and Watkins comes crashing by way of. “I do not care about no numbers and no charts, I am the most effective,” he proclaims, and he appears so certain it is virtually convincing. That’s, till Detroit vet Icewear Vezzo enters the chat with a nonchalant verse that by no means stops unfurling. In some methods, it looks like an OG exhibiting a hotshot that there is nonetheless a lot to be taught. — Sheldon Pearce




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